NATURAL, YET CREATIVE

Disciplined design expressions by Shankar Kanade complement non-formal sculpturesque forms and surfaces by K. Jaisim in their eco-friendly architecture.

11bgp-greensensgka18e4nr-4-jpgDesign challenges do not lie in walking an established path, but in charting it in the first place amidst opposition by mainstream ideas. The greatness of Shankar Kanade and Navanath Kanade of Shilpa Sindoor and K. Jaisim of Fountainhead, both with firms located in South Bengaluru, lies in charting such new paths.

By 1970s and early 80s many architects had proven the benefits of practical and aesthetic designs, hence the city had carved a niche for good buildings, be they houses, industries or institutions. Going beyond mere functionality, Shankar Kanade brought the spirit of architectonic thoughts from Ahmedabad, ably joined by his younger brother Navanath who returned from the U.S. Jaisim, being influenced by philosopher Ayn Rand, followed exploratory architecture from a perspective very different from the others.

They started building with bricks, stone, hollow clay blocks and such other natural materials left exposed, without plastering or painting them. Thus the walls too became expressive, within which the voids like windows, ventilators and perforated jaali openings were carefully located to get the desired air and light.

Hallmark

Introducing skylights to bring in daylight, in a variety of forms and locations, became a hallmark of their architecture. They both realised that we need indoor air and light without creating glare or heat.

Avoiding ostentatious and unwanted design elements is important not only to negate a false image, but also to ensure cost effectiveness and reduced resource consumption. The resultant minimalism led to its own attraction and different aesthetics. The building should relate to the human scale both inside and outside, only then we can feel that buildings are appropriate for our use.

These professionals were not blindly following western architecture, but were creating a new approach by rooting it in the elements and forces of nature.

For a commoner, works of Kanades and Jaisim may appear different, but theoretically they have many comparisons. Their personal innovation creates the variety and their deep respect for the context creates the commonalties between them. Disciplined design expressions and grammar by Shankar compliments non-formal sculpturesque forms and surfaces by Jaisim in their architecture being what is called as eco-friendly today.

Too often we have heard the rhetoric that traditional Indian architecture has always been green and sustainable. While it is true, even the works of many modern architects have been so too, which do not warrant air conditioners, mass concreting, glass facades or aluminium-coated panels as elevation cladding. Kanades and Jaisim are undebatable examples. What the two firms did in the 80s paved the way for 90s when scores of younger firms in Bengaluru focused on eco-friendly buildings.

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Posted on February 11, 2017, in concepts, designs and tagged . Bookmark the permalink. Leave a comment.

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